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Last post was on Soundsnap which reminded me of another great site filled with free samples Opsound. Both these sites are give a place for all those unused samples and sounds forgotten on our hard drives to go to maybe used by another. A nice idea that someones sound that didn’t work out or some gift snippet could become inspiration for another.
Another great source for free samples is the Internet Archive. They have audio but the really cool stuff is the video they have especially The Prelinger Archive. This collection of ephemera is great for cutting up and setting it to your music. And there are a million lines of nutty vocals just waiting stripped off and loaded into a sampler.
Besides the music and media possibilities you just might learn something(from a turtle even) like how to survive a nuclear holocaust from the 1951 classic Duck & Cover.
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I just found this new site called Sonundsnap it seems pretty cool. It basically is a place to share samples. Use the the ones there and upload your own to be used. What could be wrong with free samples.
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Maker: DOD
Year: Currently in Production
Fame: I reissue of a famous and beloved pedal from the 70’s
Mojo Factor: It is based on some thing old, famous and looks retro.
Price: Extremely affordable.
General Sound Description: It is a nice soft clipping overdrive.
Who it’s for: Someone that wants the sound but does want to fork over for the the original. Anyone that is looking for an affordable and good sounding overdrive. A lot of bass players love it.
Controls:
Knobs:
gain
level
on/off (footswitch)
Schematics, info, etc.:
This is almost identical pedal to the MXR Distortion +
Schematic
Tone pad clone
GGG clone
Reviews
Sample
Modibility: See above.
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Darkware has a whole bunch of plugins to mangle your audio. If you like glitchy, nasty, freak sounds and experimentation they are for you. Pretty hardcore stuff including R-rated skins. The effects are like the digital version of circuit bends.
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Maker: Danelectro
Type: Flanger.
Year: Currently in Production.
Fame: Not much
Mojo Factor: Its plastic shell holds a mojoless soul.
Price: Super cheap.
General Sound Description: A basic flanger that does the that sweep effect that we all know and love.
Who it’s for: Some that just turn some cans into the recycler and has a few extra bucks. Or a beginner that doesn’t want to make big investments yet. It has toy like prices so if you just want to play around with it the price is right.
Info: Sample
Modibility: At the price it is dying to be rehouse modded and bent.
Manufacturer’s Sales Pitch:
A knockout.
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Maker: Electro-Harmonix
Type: Compressor
Year: Currently in Production
Fame: Its uniqueness sets it apart from the herd.
Mojo Factor: Tubes and vintage style circuit doing compression the old fashion way earns serious mojo points. Plus there is a sense of danger stomping on 300 volts.
Price: Expensive.
General Sound Description: An analog chorus and digital echo(that sounds pretty analog) pedal that is highly tweakable.
Who it’s for: Someone that wants true tube compression in pedal form. Or some that wants the relative transparency of tube compression in pedal form.
Circuit: 2 12ax7 tubes running at a full 300 volts! On tube gain one tube for the photocell compressor section. LED’s and incandescents as light sources.
Info: Review Manual
Manufacturer’s Sales Pitch:
THE BLACK FINGER IS THE ONLY OPTOISOLATOR PHOTOCELL, DUAL VACUUM TUBE COMPRESSOR PEDAL ON THE MARKET! SO WHAT DOES THAT MEAN?
It means that the Black Finger uses the same professional-grade techniques that the most revered, vintage and mega-thousand dollar, high-end studio compressors use, except that it’s in the form of an affordable, compact foot pedal! Two different light sources (LED and lamp) provide distinctly different readings and offer uniquely varied compressions. One tube handles the compression stage while the other manages the gain stage. And unlike other “tube” hyped products on the market, which use 9 to 50 volts, the Black Finger’s design allows a full 300 volts of swing to be utilized. This makes it a true tube compressor in every sense.
Whether used as part of an effects loop or with direct guitar, bass or voice, the Black Finger will give music the type of treatment that simply cannot be achieved via plug-in emulation or with any other analog or digital product that doesn’t cost thousands of dollars.
The Black Finger breathes life and warmth into any musical instrument or recording and makes it sound magical. It’s further proof the Electro-Harmonix is changing the way players think about their pedals.
The Hammer of the Gods or the Man Behind the Curtian
Into his 90’s he still gigs ever Monday Night. How many people that played Bing Crosby, Gene Autry, and jammed with Jazz greats like Django Reinhardt are still gigging?. Plus the guy never has stopped tinkering.
It might the fact that I am a little geeky but I think the coolest thing he did was build one of the first practical electric guitars out of a 2 X 4. That should be the “Hammer or the Gods.”