Monthly Archive for September, 2007

Landmine

Maker: Landmine Pedal Co.

Type: Distortion

Years: Currently in production.

Fame: Most famous pedal shaped like an explosive device.

Mojo Factor: It shaped like a landmine who knows.

Price: Possible reasonable due to the novelty. $140

General Sound Description:

Heavy distortion. A very metal type pedal.

Who it’s for:

If you want to make some heads bang and don’t want a normal case. Also for the collector of landmine related ephemera.

Manufacturer’s Sales Pitch:

Landmine LD-1 Distortion:
The Landmine LD-1 Distortion sets a new standard in heavy distortion pedals. Works great with both guitar and bass, and will get you sounds reminiscent of EVH and Randy Rhoads all the way through to Metallica and Pantera-type tones.

Features:

  • Solid Steel Military Housing
  • Recording “Mix” out for direct recording
  • The heaviest analog sounding distortion available today
  • Built like, …well, a landmine!
  • LEVEL, LOW, MID, and HIGH knobs
  • 9v negative-center adapter jack or 9v battery
  • Quick-release battery compartment on bottom
  • LED On/Off Indicator
  • Built with quality parts and electronics
  • Size: 5″ Diameter x 2″ H (127mm x 51mm)

Info:

HC review

another youtube video

Boutique Boxes Or Stompbox Porn


I love pedals. It is no secret. Here are some links to smaller pedal makers that might by under the radar of most. Most are somewhat unique and all boutique. I can’t vouche for the quality of all of them but at the very least it some good gadget porn for all the other pedal & gadget lovers out there.

4ms has some cool pedal designs. In addition to the pedals they also sell kits. The best thing about this pedals is the level of customization of options and even will build with custom art work.

MG best looking pedals. Works of art. A filter paying tribute to Charles Bukowski awesome.

Death By Audio have pedals with a slight unusual slant and a great visual style.

Bug Brand some slight nutty(in a good way) designs that seem like good fun.

Trogotronic
very unique stuff a must see.

Devi Ever has a large line up of cool pedals mostly with small footprint. They are good looking.

Schumann Electronics very industrial looking pedals.

Vintage FX you guess it they have clones of famous vintage pedals.

MI Audio Some nice pedals form Australia.

Homebrew Electronics good stuff.

Uncle Ernie’s has a bunch of drives.

Option 5 3 cool models.

Malekho Heavy Industries is new and only has one pedal and another in the works. But I expect good things with Paul Barker involved.

HARMONIC transformer

Maker: Death By Audio

Type: Fuzz

Years: Currently in production.

Fame: A cool secret.

Mojo Factor: It bizarre, unique, and boutique which piles up the mojo.

Price: Expensive. $300

General Sound Description:

Huge Fuzz.

Who it’s for:

If you are not satisfied with your fuzzy and want big rich fuzz this could be the box for you.

Manufacturer’s Sales Pitch:

Intermodulate your sound and unleash ringing raging fuzz on the world. Super big, super vicous and super intense. A huge pedal with a huge sound. Complete with enough alien noises to freak out your listeners. Direct crazy intermodulating distortion to make unique music with. The Harmonic Transformer is an extremely loud and intense fuzz pedal which is very interactive with the incoming signal ranging from over the top to bizzare.

Info:

HC Reviews

Samples:

Rock Guitar

Guitar Solo

Bass Groove

Bass Killer

Audioforce Tips or the New and Old Percussion

Audioforce has a lot of useful information to help the home music maker.

I want to list Emusictips again while I am mentioning tips. It is has some excellent stuff including my own EQ Guide.

Drums are the oldest instruments. They haven’t really been improved on in the last several centuries. I quite like “the old models.” You can find some here.

If you are into new stuff and like your beats to come out of a device that looks like a microwave oven check this out from Trading Musican.

Don’t Fear the Reaper (2) or Beta Boost

The Reaper 2 Beta has just gotten new features:

Here is the beta of REAPER 2.0. This beta has a ton of new stuff, the highlights of which are listed below. For a full list view the changelog in the about box.

  • New default them by WhiteTie, old theme is available as “Classic”
  • Extensions to advanced themeing - http://reaper.fm/advtheme/ has info.
  • Drawing improvements (fixed occasional display issues on track panels etc)
  • More colorthemeable things (MIDI editor, docker, can be set independently, more fonts themeable)
  • Mixer: Optional FX/send views on the track.
  • Screensets: focus tracking, more mixer state saved in screensets, other bugfixes
  • Automation: new option to allow easy adding of tons of new automation (prefs/editing/”Automatically add/arm envelopes when tweaking parameters in write modes”)
  • Editing: a bunch of editing fixes, improvements to automation moving with items
  • Multichannel master track (primarily for doing advanced sidechains etc on the master)
  • FX: renaming of effect instances, comment window improvements
  • JS: new functionality including PDC, as well as position reporting to effects

Pacemaker or For DJ’s On the Go


The Pacemaker is a cool looking little gadget that is slated for release in November. I guess the of it has been out for a while but I just recently discovered it. The Tenori-On has hogged most of the music gadget news of late. The price of the Pacemaker does not seem to bad if it works good. I can’t see is as a replacement for normal gear but more of a mobile scratch pad at best of just good fun where ever you may go which is a bad thing.

I think I would be the coolest kid on my block if I wore the Tenori-On around my neck like Twiki wore Dr. Theopolis(younster and Non-Sci-Fi geeks see picture) and carried around the Pacemaker in hands.

Route 66

Maker: Visual Sound

Type: Compressor/Overdrive

Years: Currently in production.

Fame: Has a great reputation.

Mojo Factor: I how can anything with “Route 66″ in the name not have mojo.

Price: Reasonable for a 2 in 1. $139

General Sound Description:

Combines the familiar and beloved Tube Screamer sound with a classic compressor.

Who it’s for:

If want that TS sound and would like a to save some space on your pedal board this could be a good choice. All a decent value for 2 pedals in one.

Manufacturer’s Sales Pitch:

Here’s what to look for in the latest version:

  • Thicker steel housing
  • Improved Pure Tone buffer circuit
  • Tone control bypass switch for Compressor so you can get those vintage Ross compressor tones if you prefer
  • Increased output volume for OD channel
  • Improved radio frequency protection
  • Upgraded capacitors throughout pedal
  • Upgraded Bass Boost switch
  • Upgraded packaging

Plus all the great features you already love about Route 66:

  • Overdrive and Compression on two separate channels with individual tone controls.
  • Overdrive channel sounds like the original TS808 and even uses the JRC4558 op-amp.
  • Unique overdrive bass boost switch.
  • Compression channel can be set for fully squashed “Nashville” sound or very subtle compression.
  • Compressor also has an integrated pre-amp controlled by a Gain knob so you can get loads of clean gain without overdrive!
  • Combine the channels to heat up leads.

Route 66 American Overdrive is sure to become as legendary as its
namesake. With classic compression combined with classic overdrive
modeled after the sound of the original TS-808 Tubescreamer
(JRC4558 chip and all!), the Route 66 pedal gives you two great effects
for the price of one.

The two effects sound great on their own and can also be combined to
complement one another. In fact, probably the only complaints about the
original Tubescreamer was that it did not have much sustain or bottom
end. That won’t be a problem with Route 66. Just combine the overdrive
side with the compression side to get all the sustain you want. Add the
Overdrive Bass Boost and give it that big cabinet sound. If you love the
clean sound of your guitar and amp, but just want a clean boost, kick
in the compressor with the Gain knob up a bit. We’ve added a pre-amp
stage to the compressor to allow for a truckload of gain, with or without
overdrive. Using Route 66 American Overdrive with a good tube amp is
sure to make it sing! Classic.

Route 66 FAQ:

Is the compressor section of the Route 66 based on the Ross or
Dynacomp?

The Ross and Dyna Comp circuits are almost identical to eachother
(except for maybe one resistor and one capacitor). However, the Route
66
takes those designs and combines them with an original tone circuit
plus a pre-amp circuit, giving it far more flexibility and clean headroom
(clean gain potential)… and that’s just the compressor! You also get a
TS-808 clone with bass boost thrown infor no extra charge…
Not a bad deal!


Info:

Manual

HC reviews

Vintage Guitar Review

Keely Mods

Sample

Sample 2

Sample 3

Sample 4

Sample 5

Sample 6

Sample 7

Sample 8

The Love of Covers or The Love of Lists

I have returned of my vacation somewhat refreshed and relaxed. It was a good time. It was strange traveling to Mexico and encountering more people that spoke English than the neighborhood in which I work in. I heard many Spanish versions on famous songs in English. It was fun recognizing the melody and figuring out the song and trying to sing along the English words in my head. The song themselves weren’t so great. Fairly faithful to the original in an unimaginative way with a crass bent toward broad poppiness. Not good. They made me miss good covers.

I have always loved covers. They are great because you have a point of reference that you don’t have a with an original piece. It can be a joy to see what some else can do with a song. I never really understood faithful recreations of songs especially great songs. They are great already you are not going to improve upon them normal just doing it straight. I like the differences it is like getting to see a block of marble before it is carved into a statue.

All that down time on the beach I got to thinking of covers and rediscovered my love of list so here is a list of some of my favorite covers in no particular order. I am sure I am forgetting songs I love and will try not to violate the spirit of what a cover song is to much. I don’t think standards, traditional, or folk music applies nor remixes.

Hallelujah-Jeff Buckley

Jeff Buckley’s beautiful rendition of the haunting Leonard Cohen ballad. Absolute moving and majestic. Rufus Wainwright also has a great version but I prefer Buckley’s.

(Can’t Get No) Satisfaction-Devo

It hard to cover great bands like the Stones but Devo managed by throwing out the original rock groove for a disjointed rhythm and synth weirdness that fit with the song lyrics and sentiment but for a fresh take that worked. I just can’t help but twitch along.

All Along The Watchtower-Jimi Hendrix


Dylan is such a cult figure now that it is sometimes forgotten that there were a lot or Dylan covers because he was rather rough for radio of the day. So, there were numerous attempt to make more polished commercial versions(think Pat Boone) of his great songs in an attempt. I don’t care for them but I don’t think his is one of them. Jimi is a little more restrained than on some other tracks and is virtuosity does not over shadow the song but still is vintage Jimi.

Me and Julio Down By The School Yard-Me First & The Gimmie Gimmies

Ok, All the Me First & The Gimmie Gimmies do is covers. I like many of them but if I had to pick one it would be Me & Julio. I just can’t hold still listening to it.

Hurt

Two of my favorite artists Johny Cash recording NIN’s Hurt makes for one the more unlikely covers even amongst my favorite artist. The video is absolutely heart breaking.

Red Red Wine-UB40

Niel Diamond can write a song that gets stuck in your head. But the cover has even more staying power than the original.

Voodoo Child (slight return)-Stevie Ray Vaughn

One Guitar god covering another guitar god. Can’t beat that.

Twist And Shout-The Bealtes

So many have covered The Beatles but of course the Beatles did some covers earlier on and this was their best.

Revoultion-fIREHOSE

fIREHOSE may be and old SST band but Mike Watt & Company were anything but typical West Coast hardcore. fIREHOSE and there origins in The Minutemen are difficult to pigeon hole into any genre so their covers of another strange group should not be a surprise. Allong with this Butthole Surfers song they are covers of Blue Oyster Cult Red and Black, Superchunk’s Slack Mother Fucker, Public Enemy Sophisticated Bitch, and Wire’s Mannequin all quite good.

(What’s So Funny ‘Bout) Peace, Love, And Understanding?-Elvis Costello

Brinsley Schwarz version is almost forgotten but this version is hard to forget.

Sweet Leaf

The Japanese power trio Shoen Knife all together may not way as much as the modern flabby Ozzy. But the live cover of of Black Sabbath’s Sweet Leaf is anything but flabby it rocks in Enrish.

If You Want Me to Stay-Red Hot Chilli Peppers

The Peppers are more famous for there cover oft Stevie Wonder’s Higher Ground. But I always liked this Sly & the Family Stone cover the best. It is a bittersweet chunk of funk.

Oops, I Did It Again-Richard Thompson

The temptation might be overwhelming to be ironic here but he does honest which what makes it interesting a worth a listen here.

Just Like Heaven-Dinoisaur Jr.

Robert Smith said he liked this version better than The Cure’s. I do myself. I have seen it live a few times at it is even better in person. Masic’s sea of noise is even more strangely wonderful live.

(There’s) Always Something There To Remind Me-Naked Eyes

Sandie Shaw’s version was dull. The first version from Lou Johnson was OK but this was pure 80’s pop gold.

La Bamba

This is a folk song which bends the rule but it was covered into a rock song. Making a traditional Mariachi song into a 50’s rock ‘n’ roller was a a novel idea at the time. Everyone knows this one.

Get Into Groove(y)

Under the name Ciccone Youth Indie royalty Sonic Youth and Mike Watt produced this trippy cover of the Madonna hit.

My Humps-Alanis Morissette

OK, irony could not be resisted here. Something so mellow and melancholy should not be able to be that funny.

People Are Strange-Echo and the Bunnymen

I never really liked the Doors. The lyrics always seemed like bad teenage rhyming poetry but I have always liked this strong somewhat but the Echo and Bunny man version is awesome. When the best last line of any movie is spoken, “One thing I never could stomach about living in Santa Clara. All the damn vampires,” I must watch the credits to hear this song in its entirety.

New Day Fades-Moby, Billy Corgan, John Frusciante, New order

This semi breaks the rules by using original member of the Joy Division but the 3 other famous blokes makes up for it. This version is pregnant with a sense of foreboding and menace.

That’s When I Reach of My Revolver

Sometimes I just want Moby to eat a big juicy steak and shut up. But I rather like this tidy rocking version of Mission to Burma’s post punk classic.

Cocaine-Eric Clapton

I like JJ Cales version but Clapton shines through. As good as its is still only the 3rd best song about the white powder after Cash’s Cocaine Blues and Melle Mel & Grand Master Flash’s White Lines.

Come On Feel The Noize-Quiet Riot

It is fairly close to Slade’s original but it got more a attitude and the arrange is better with that rocking drum intro that even makes the white dude in spandex groove. If you want to blame 80’s hair bands on something blame this song. It what started it all. When it broke A&R men desened on the Sunset Strip and signed every band that over indulged in hair care products.

Black Magic Woman-Sanata

This is one of those songs that many forget or don’t know was a cover but is far superior to the original Fleetwood Mack version.

Last Kiss-Pearl Jam

Though I appreciate his work I was never a fan of the Phil Spector’s “Wall of Sound.” I am not a big Pearl Jam fan either. I curse them for the plague of “Ten” that created “modern” or “alternate rock” as decade long genre of mostly poor copies of that album’s style and sound. But the sparser cover of this 50’s gem I do love.

I Will Survive-Cake

I always liked Cake. It think it is there great guitar sound and the fact the have a sense of humor while still being serious without being outright funny or jokey.

I Fought the Law-The Clash.

This cover just fits the Clash like a glove.

Skulls

Evan Dando of Lemonheads fame is know for being one of more laid back artist ever. He seems perpetual stone all the time to my ears. So, this acoustical version of the the Misfits’ gory Skulls is a surprise. Its like a sing along camp fire folk song with the lyrics, “Hack the heads off little girls and put them on my walls.”

Oh, My Lover-Redd Kross

A rockin’ version of the PJ Harvey track. Even cooler than the Redd Blood Cells Album.

Little Honda-Yo lo Tengo

This laid back track with a wall of fuzzy guitars one of the best covers of 60’s pop. Maybe not what Brain Wilson had in mind but catchier than the original.

Where Is My Mind-mr. hopkinson’s computer

This trippy electronic cover of my favorite song is very different but even with the robot voice produce similar emotion impact as the original.

Sometimes Good Guys Don’t Wear White-Minor Threat

Minor Threat were know for brash hardcore high tempo more punk than thou and screaming lyrics. This cover of garage pioneers The Standells song is more like a a edgy working man country song from the 60’s the invites you to sing along.

Teeange Kicks-Razorlight

This Undertones classic and John Peel’s favorite song is cover with some great energy. The best cover of this often coverd song.

Bohemian Rhapsody-The Flaming Lips

This gets on here because The Lips do a lot of covers and are thee crowd participation band. Those songs that everyone loves and know the words to are great live.

Money For Nothing-Royal Trux

This hectic version of Dire Strait big hit is all over the place in a good way.

Asshole-Tom Petty

This a slow and mellow version of the Beck tune. I can’t help but sing along.

Billy Jean-Chris Cornell

An impressive acoustical cover of Jacko’s meg a hit.

Easy-Faith No More

OK, this is a pretty faithful version(no pun intended) but that what it interesting for me. Who would guess that the band famous for Epic and rocking cover of War Pigs would tackle Lionel Richie like this.

Bizarre Love Triangle-Frente!

A simple version of the New Order Hit.


Louie Louie-The Kingsmen

OK, everyone has covered this. But it has been covered so many times because of The Kingsman’s cover of Rick Berry’s 1957 original.

A Few Rarites

I would like to close with a few that no one might be able to track down and be able to hear again that I was one of lucky few that got to hear. The bass player in a local Irish pub The Clare Voyants did a solo rendition of Pink’s Just Like a Pill accompanying himself on mandolin. Simple wonderful. The defunct band Kepone played a scroaching version of Killer Queen I got to hear in the mid-90’s. And a local band Beats the Hell Out of Me did a get cover of By the Time I Get to Arizona by Public Enemy around the same time. I like these because the are something rare and somewhat exclusive to me and a few others.