Monthly Archive for October, 2007

DIY Talkbox or Oh, Won’t You Show Me The Way

Blampro has this cool guide to building your own talk box that I just discovered on the web. Pretty cool.

3 Quick Tips Links or I Have a Minute.

These might be helpful:

Here is an interesting Live Tutorial Video.

Some tricks for sequencing bass line form Sonic Transfer.

Tips from EM on show to make your midi sequencing sound well not like midi sequencing.

Circuit Bending Challenge or Good Messy Fun

Getlofi and CDM have come up with the Circuit Bending challenge. It a cool idea and I am going to participate. Setting a date and knowing other are doing as well will help me get off my butt and bend something. Soon like a good way to spend a Sunday.

Recording Show Domestic Violence or Champagne Jam

I had to post another Mr. Show I think this is the funniest skit ever. A lot of great lines in quick succession. You have to at least watch until Ronnie sings. Why do I think something like this probably happen at a recording studio somewhere sometime?

Has the Music Game Changed or On the Other Side of the Rainbow

I am listening to In Rainbow now. I paid $5. I might have paid more but I hadn’t heard it. I think it is great way to do things and at least the money they got for me would have been more than they got form iTunes of a Cd sale. I paid something not because I think Radiohead needs more money. I paid because I want this business model to be a success. It is like the digital version of the open guitar case on the sidewalk. I hope it works and I hope word gets out that it does.

The system for downloading the album frankly sucks. I hope if more bands do this kind of thing they make it more user friendly and have samples of what your going to get if you have to pay. You always could go back and pay if you have the option of not paying but that is a hassle.

This whole thing got me thinking. These last few days and weeks especial October 10th might go down as being remembered as day the major recorded labels were mortally wounded and things got better for the consumer and artists. A big change might be coming. It not just the Radiohead Album but other recent events. Trent Renzor is out of contract and is going a free agent. This was posted on the Nine Inch Nails site:

“08 October 2007: Big News

Hello everyone. I’ve waited a LONG time to be able to make the
following announcement: as of right now Nine Inch Nails is a totally
free agent, free of any recording contract with any label. I have
been under recording contracts for 18 years and have watched the
business radically mutate from one thing to something inherently very
different and it gives me great pleasure to be able to finally have a
direct relationship with the audience as I see fit and appropriate.
Look for some announcements in the near future regarding 2008.
Exciting times, indeed.”

Amazon’s newish mp3 download service is DRM free. And now Microsoft the Godfather of being a pain in the ass to its costumers and a early adopter and promoter of DRM are going to have over a million DRM free downloads for the Zune service though some music will still have DRM. A million is still a big number. I know the RIAA won that $220,000 lawsuit that has been widely reported but if it stands which is questionable the blacklash of that precedent I suspect will be worse than any benefit for the RIAA. Please notice that I say the RIAA and not the Industry. The Music Industry contains a lot of people that the RIAA or it actions have never benefited any those people are mostly the creative people that make the whole thing possible. The guys running this big labels basically Ivy League MBA’s that are middle management in a division of a huge Global Corporation. They are trying to climb the ladder to bigger stock options and bigger golden parachutes. Do you think they give a shit about the music?

The real reason that I think things are going to change is logic. If Radiohead can have financial success releasing the album themselves what reason do other well established acts have to share the profits with a major label and in the process possibly have less control over the music and the creative process. If they are big enough people will easily find out about there news music. Look at the stir this caused. If they wanted the promotion a label would provide they could hire a PR firm for less than what it would cost them from the label. They only advantages of the big label is distribution of physical copies of the music and getting the music on the radio. Those to things are getting less important everyday. A lot of acts or certain genres that sell well never get played on the radio now days anyway. And people still are more and more likely to get Cd’s through the mail than form a store and there is nothing stopping bands form selling physical copies of the music through the mail. I hope big acts just say why am I dealing these assholes I can just put it up on my site. And I hope as more contracts expire we will see more of this.

For less well know bands need there is even less of a reason to use a major label of one of the “boutique labels”under the umbrella of a major label. If you thing advance or the promotion or guidance is a major label is a good thing read this. It is so much easier to promote yourself on the web and even produce an music yourself. Alot of people managed against the odds to do this before the Internet. It is just so much more effective now. The hard thing for small acts was getting distribution beyond selling tapes and Cd’s at show an local record stores that a buddy worked in. Now you can sell in worldwide on your website. I and even if you sell a little less you keep more of the money or maybe just some of the money actually. And doing it your way I think should be considered priceless.

The RIAA & Major Labels are not going away anytime soon. They probably will not learn a damn thing from anything new happening. But still I think things can get better and will get better.

BTW I like the album Bodysnatchers is a great track.

Titannica or Try Again

I had to post this because it is too funny.

Tenori On Review or the Return of Dr. Theopolis


Music gear geeks have been drooling of this for a while Basically because it looks cool. Well, some people have got a hold of it now. There is a good review from Music Thing.

Trotsky Drive or From Russia With Love

Beavis Audio Research has always been a cool site for home brew pedals and small little 9 volt style amps. Now you can get yourself a Trotsky Drive. The is a regular version for $119 and the cool etched version pictured for $169. I am not sure how to go about purchasing them but I am sure if $uperpuma at puma at superpuma.net you could figure it out. You could always build it yourself but trying to find the KT312 might be the hardest part.

Just as a note because I am a history dork the Beavis site & a lot of other sites and people say Trotsky was killed with an ice pick but really it was a ice ax. It penetrated his skull and he still live for a day longer even being 60. Man, there have been some tough Russians.

Orange Juice Boost or JFet Magic

The is my Orange Juice Boost. It is based on Jack Orman’s Mini-Booster. It Has been around a long time and deservedly so. And like many other great electronic circuit was adapted from an application note. And it is a great full range booster though I am thinking about adding a switch to switch caps to make it a top booster. Maybe. It is fat. Not a transparent clean boost but the change in tone is a good thing. Fatter but not overwhelming. I wanted to use this great box I had from Pedal Parts Plus that as you can kind of see in the picture has a rippled power coat that looks like the skin of an orange. I want to give that Orange Juice Boost name(I think name stuff is at least half the fun.) But the single knob would look really lonely. So, I added a simple tone control and input gain pots. They have these mods and more info at GGG. There are also more mods at Single Coil.

It really is a easy build and super useful. It would be a great beginners project if you have wanted to do something like this but have not this would be a good one. It also is easy to do on strip or perf board. I know DIY Fever has a layout for strip board if you download there handy free layout software. There probably is more layouts if you search. I used J201’s and they sound good. Socket them if you would like to try others.

Check out the lab notebook at AMZ. Orman has filled it with a bunch of great stuff.

Boss RE-20 Space Echo

Maker: Boss

Type: Echo/Delay

Years: Currently in production.

Fame: Leeches fame from it famous father the bastard.

Mojo Factor: Based on one of the most famous effects ever what ever that is worth. I heard also the wave solders at Roland were blessed by Shinto monks.

Price: Expensive around $250 though a original would cost more and this things has a lot of features.

General Sound Description:

Obviously spacey echo.

Who it’s for:

Not just guitarist but for anyone that wants to have that analog sound with lots of versatility. If your are look of a tape echo sound with lots of control this could be the ticket.

Manufacturer’s Sales Pitch:


One of the most beloved echo effects ever made, the Roland RE-201 Space Echo, has been reborn as the BOSS RE-20 Twin Pedal! Roland and BOSS have recreated every sonic detail and nuance of the original. Experience the legendary tape-echo sound of the RE-201, and get “lost in space” with this retro-modern marvel.
Amazing simulation of the famous Roland RE-201, with the spacious, analog tone of the original Space Echo
Faithful modeling of the RE-201’s tape flutter and magnetic head sound saturation
Tap input pedal allows delay time to be set by foot
Longer delay time than the original RE-201
Control parameters such as REPEAT RATE, INTENSITY, and more via Expression pedal.
MODE SELECTOR knob with 12 placements just likes the original Space Echo


Info:

HC review