I visit the Guardian quite often for being not only on the other side of the pond but almost to next pond. Sometimes it is good to get a foreign perspective on US events(there is less bias in indifference) but mostly being a football(no the other kind) in America I can’t read about by teams second half of the season collapse in the local paper.
I need to check the Culture section more often when I need to stop by because the is usually good stuff. Live and Let DIY is such. It shares my idea that people should have the power to remix there own culture. It is nice to see an article in a major publication not running with the standard line.


T-Pain in My Butt or Vocoder Madness
This is about vocoders kinda. T-Pain signature vocal sound with basic his voice ran through a vocoder. Not auto-tune as a lot of people have though it was. I like vocoders. I think they are cool. But it is a dramatic effect and to me gets annoying after a while. It becomes gimmicky. Maybe a cover for poor or uninteresting vocal work. Especially after more than 2 years. What if the that Cher auto tune effect was on every other song and never went way? Or on every other song? What if Daft Punk was a guest vocalist on every 3rd song on the radio? Or if half the rock songs and Frampton talk box vocals. To me at least that is what it is like. I’m sure people will get sick of it and dispose of it like most pop music but it is amazing it has gone this far. I am not sure its lasting appeal says about the state of popular music but I do not think it is good.
It is nice when people use things a little different like vocoders creatively but sparingly. It really can and some wow without becoming a gimmick. Check the video below about the 5:50 mark. There is an amazing vocoder vocal part. I the song came out in 1975 and is great example of a dramatic adding a touch of brilliance.